Maze runner films1/13/2024 ![]() It was great, it was such an incredibly lucky break. I decided to focus more on what the book was doing and really lean into that society of boys concept. ![]() But it was the survival aspect that I really connected to. And then you had all the cool, fun genre parts like monsters, giant mazes, and all that crazy stuff. This group of kids, thrown into this unique circumstance where they have to survive and rely on each other to survive. That was what immediately connected to me on Maze Runner – basically the Lord of the Flies aspect of it all. WB: I grew up in a really small town in Florida and so a lot of time when I wasn’t watching movies, I spent out in the woods, building forts and camping and just kind of fake surviving out there. There were other motives behind his decision, however. When someone says “Hey, do you want to direct this thing?” you say, “Hell yeah!” There wasn’t a lot of, “hmm, let me contemplate this for a bit.” WB: Well, you know, when you’re out here for 10 years scratching and climbing to try to become a director, it’s a hard business to break into. How did you first decide to tackle that series and why?” Of course, The Maze Runner was a natural extension of his anecdote: “Once you got your career up and running, your first big break was The Maze Runner trilogy. That’s where I realized, “Oh man, you can do this.” You could make stuff and have a career doing it! That was where I was introduced to the concept of film school and specifically for me, the Florida State film school, which is where I ended up going. It wasn’t until I found this documentary show on the Discovery Channel at the time called “Movie Magic”, that was basically a cool behind the scenes weekly show. For a while, I wanted to be a stunt man - I wanted to be a model maker or a special effects artist. I didn’t know that I wanted to make movies at first, but I knew I wanted to make things. I watched those over and over for I don’t know how long, you know? Just all day while I played with LEGOs. But I had a satellite dish, a lot of channels, and a cabinet full of every movie you could imagine that I’d saved off HBO, Showtime, or whatever. WB: Being from super small town in Florida, I didn’t grow up going to the movie theater because it was like an hour away. The most basic yet earnest question that plagues all filmmakers and film fans,” What brought you into the film industry in the first place?” was met with a telling smile in his voice. Wes Ball on the set of ‘The Maze Runner’ courtesy of Fox It’s been 6 years since The Maze Runner trilogy kicked off, and to honor such a milestone we trace how this young filmmaker found himself at the helm of an exciting blockbuster series and how those films would go on to shape his career. Alongside the widespread anticipation for his future, we sat down with him to reflect on the past. In addition, he has teamed up with Blueprint Pictures to bring Catherine Webb’s The First Fifteen Lives of Harry August to the screen, adding yet another novel adaptation to his filmography.įrom his award-winning animated short Ruin to his upcoming Apes film, Ball’s career has been nothing short of impressive. He is now making headlines for leading a new Planet of the Apes project, once again proving to be a significant creative presence in the studio landscape. Thanks to his fortunate beginning and natural talent as a storyteller, Ball has had the opportunity to work for a number of major studios – more recently as the director for the now-canceled Mouse Guard film at Fox, which was caught in the crossfire during the Disney merger. An outspoken character, Ball’s passion for filmmaking radiates clearly in how he holds himself across many platforms it’s no wonder that he and his Maze Runner films boast avid fan bases. Its high-energy and peculiar action endeared itself to fans of the original books and earned a lasting soft spot for young audiences. Most filmgoers’ earliest exposure to the work of Wes Ball was his film adaption of James Dashner’s The Maze Runner in 2014.
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